Wednesday, 15 June 2011

Occam's Razor - An Interview With the Author



Adventure Sci Fi novel

of

Michael James Martineau author of "Let's get Rowdy!" and "SancZOOary"

Set deep in the mysterious Bermuda Triangle and Atlantis
areas outside of Andros Island in the Bahamas, this story explores
the possibility that Atlantis once existed, swirled in the mantle
of clairvoyancy, pyschic connections and water breathing visitors
from another world - all of this on the breath,
from another world - all set in breathtaking, ...
from another world - all set in breathtaking, ...

IBC. You told us that nearly half of Occam's razor novel contains material that is not in the film version. Knowing how powerful and exciting book you were able to maintain the same level of intensity in the screen version if it is only half the story.

MJM. Yes, because the film is not really half the story.

IBC. Is writing a screenplay and a book that explores the secrets of the open sea, hard to do?

IBC. Is writing a screenplay and a book that explores the secrets of the open sea, hard to do?

...

IBC. Is writing a screenplay and a book that explores the secrets of the open sea, hard to do?

...

MJM. It's an interesting point that reminds me of the production meeting we had in the early planning stages of this film. On the water film, which includes acrobatics (both land and water), this is our director of choice has always been Al Giddings. Al's reputation as an underwater cinematographer, producer / director he has won global recognition. His film credits include the James Bond films of water, Deep, an abyss, the monster untaking involved in the production of "Titanic." As a filmmaker with his extraordinary skills, Al is a firm believer that if you use the real views and actions do not go to the computer. Computer generated images are an incredible resource to be used as a fall back position when trying to capture impossible shots, but not to be used as a rule, because the 'real' on screen is always better than "illusion" If it can be done. With this philosophy in mind, we decided that two directors will be used to make this film: the overall director who will be responsible for the final cut, but focus on all the activities on the water and the other director who will be solely responsible for the country dijelovepucati. After this decision, we spoke with Steven Lisberger who had some experience with working on the water, but it made the computer a classic "Tron" with Jeff Bridges.

When Lisberger and Giddings gathered as mixing oil and water. You can not imaguine how it was to tell Lisberger cinematograper largest ocean in the world who wanted to make the most of the major scenes of marine mammals within the computer without even going to the drop of water. It was nail biting creative conflict ended with Lisberger title for the airport and Giddings extraction technology to use this film that's never been seen before.

IBC. Well knowing that the special effects will be held to a minimum in this movie that you intend to whales, dolphins, sharks, turtles and tons of other fish around all the divers when they are shooting?

IBC. Well knowing that the special effects will be held to a minimum in this movie that you intend to whales, dolphins, sharks, turtles and tons of other fish around all the divers when they are shooting?

...

IBC. You make it sound easy. Does not work in deep water dangerous?

IBC. You make it sound easy. Does not work in deep water dangerous?

...

IBC. You make it sound easy. Does not work in deep water dangerous?

...

IBC. You make it sound easy. Does not work in deep water dangerous?

...

IBC. Robotics?

MJM. Yes, as in a mechanical dolphin exact size, shape and color, with the same body as the real ones. Remember the "Splash"? In this Oscar-winning film award Don Pennington uses 6 foot long robotic dolphin make swimming and underwater movements, radio-controlled from the surface with the same kind of joy sticks people use in video games. Remember to lift the mother dolphin cvelebrating shiup at the end of "Cocoon"? It was Pennington with freestyle radio-controlled baby dolphin.

IBC are difficult to build an underwater setting?

MJM Not at all. Most of them include the basic wire and wood framing with a fast drying foam sprayed on surfaces, which are colored with nontoxic paint, sinks, and weighted down to keep them from floating. Most of the films in which the caves, tunnels or large rock surfaces are included foam sprayed mold. If you think about how long it would take place scouts and production nurseries to find the right cave to fit the script becomes ridiculous.

MJM Not at all. Most of them include the basic wire and wood framing with a fast drying foam sprayed on surfaces, which are colored with nontoxic paint, sinks, and weighted down to keep them from floating. Most of the films in which the caves, tunnels or large rock surfaces are included foam sprayed mold. If you think about how long it would take place scouts and production nurseries to find the right cave to fit the script becomes ridiculous.

...

0 comments: